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From disruptive beginnings to a protopian future, we continue to redefine, sports, culture and innovation. This is Oakley.


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A brand that for fifty years hasn’t just predicted the future but has created it. A brand that never shied away from being authentic to its beliefs and values. 


The 50th anniversary isn’t a reflection. It’s a launch signal. A challenge to rewrite what comes next. To see beyond. To reimagine everything. To abandon the loop of “what’s always been” and create “what could be” - through disruption, design, and defiance. The art of seeing what isn’t there and building it anyway. If evolution took too long, we sabotaged the clock. 


The truth: we have never needed a logo. Our mark lives in the feeling, the design, and the vision.

Design, innovation and storytelling, wrapped in art. 


“Oakley has always shaped the edge of possibility, and then stepped off it,” said Caio Amato, Global President of Oakley. “That legacy lives in all of us as an invitation to keep igniting human possibilities further. Fifty years isn’t just a celebration of what we’ve done. It is a call to re-imagine harder, build bolder, and shape our limitless future with the same rebellious optimism that brought us here. We are not predicting the next 50 years. We are creating it now!”

IT STARTED WITH A BETTER GRIP AND IT GRIPPED THE WORLD FROM THERE Our story didn’t begin in a lab or a boardroom. It started with a moto grip, ingenuity and some wild ideas in 1975.

Our founder, Jim Jannard, was once a lone innovator slinging motorcycle parts with a belief that wouldn’t quit: “everything in the world can and will become better. It’s just a matter of when and by whom.”

This vision took hold on the moto handlebar, the point where a human met machine. Jim imagined a grip material that molded to the hand, got tackier with sweat, and elevated control the harder the rider pushed. He called it Unobtainium™.


From this breakthrough came five decades of defiance and disruption.


With a rogue R+D crew stacked with pro BMX riders, we operated in an orbit where athletes weren’t just giving insights; they influenced and evolved the brand. Our culture and terrain became live test labs, and every crash, every cracked lens, and bent frame became data from the front lines of physical performance.


Viewing the world as raw material and elite athletes as embedded field agents marked the origin of our rebellious DNA. Not just adapting to the world but reimagining it entirely to deliver the unexpected.


A VISION SYSTEM BUILT FOR THE EDGE OF HUMAN POTENTIAL In a world where vision defines survival, we engineered a new way to see, pioneering performance eye protection at the edge of what’s physically and visually possible.


To do this, we looked beyond eyewear designers, enlisting visionaries from transportation, architecture, industrial design, and robotics to redefine what eyewear could be—building systems where function, fit, and feel were inseparable.


●      THE ELEMENTAL ARSENAL: We mine the periodic table for our materials, engineering to the millimeter. From Unobtainium™ to Plutonite™, C5™, X-Metal®, Iridium®, and more, these patented technologies are built to withstand extreme heat, pressure, radiation, and kinetic force.


●      A FIELD-TESTED ECOSYSTEM OF TECHNOLOGY: Wearing Oakleys means stepping into a field-tested ecosystem of optical technology that turns biology into machinery and vision into velocity. Every lens is made from Plutonite®, our durable and optically pure lens material, and complete with impact protection, prismatic precision, and distortion-defying clarity, engineered both through shape and substance.


●      XYZ OPTICS TO PHYSIOMORPHIC GEOMETRY: For us, the future of optics wasn’t about seeing the world as it is; it was about shaping how the world sees the wearer. Lens geometry was at the centre of this, starting with Polaric Ellipsoid™ lens geometry, a patented design that maintains visual clarity across every angle of vision while conforming to the natural contours of the human face. The next evolution with XYZ Optics®, the first dual-sphere lens engineered to match the natural curvature of sight. For 17 years, it set the standard for optical performance, rendering the competition obsolete. But for us, innovation wasn’t the finish line. It was a challenge to once again push the limits.


●      RECODING PHOTONS: With photons shaping perception and contrast defined by success, we looked to HDO® (High-Definition Optics) to reimagined how humans interface with light. From crystal-clear lenses to those that blocked 95 percent of solar glare, we engineered a full spectrum of visibility for any condition, from brightness to near darkness.


INVENTIONS WRAPPED IN ART  We were never just a product. We are a connection to something bigger, merging aesthetics, function, and human emotions. We elevated physics to an art form with design so distinct, the logo becomes unnecessary.


From day one, reinvention ran through our DNA, breaking the cycle of what’s been to build what’s never existed — a renowned lexicon of eyewear. Now, 50 years in, we continue to accelerate what’s possible, translating our design language into performance and lifestyle pieces made for the future, delivered to the present.



●      1975, DAY ONE - THE MOTORCYCLE GRIP: Before eyewear came into view, the motorcycle grip blazed the trail. 


●      1980, THE ORIGINAL OAKLEY GOGGLE: Our first bold step into optics. This DNA evolved into the O/20 goggle, a full-throttle redesign built for dirt, snow, sand, and surf. With distortion-free lenses, increased peripheral vision, and quick-change tear-offs, it became an industry benchmark and earned a new name: O Frame. What followed was a lineup that revolutionized modern optics. The Pro Frame introduced an Iridium lens coating to filter light. The L Frame was designed to fit over RX lenses. The E Frame offered a simplified design for everyday use.


●      1984, FACTORY PILOT EYESHADE: It started on a drive down Pacific Coast Highway in 1984. As the sun dropped over the ocean and light streamed through the side of his frames, Jim Jannard saw the problem, and the solution. Back in his workshop, he cut down a lens, bent coat hangers into ear stems, and held it all together with electrical tape. The result: an eyewear prototype that offered the same full coverage as Oakley MX goggles. In that moment, performance eyewear was born, and the face of sport changed forever.


●      1985, BLADE & RAZOR BLADE: We have to satisfy the eye, mind, and heart. It can’t just be fast; it has to look fast, too. Blade wrapped the same high-performance DNA of Eyeshade in a piece of art; in a way the world hadn’t yet seen. Letting form follow function, we added a Trigger Earstem, a kicker arm that adjusted the lens angle for a precision fit, to create the smaller and sharper version: Razor Blade.


●      1994, EYE JACKET: The frames that rewired an industry. Eye Jacket was optical armor, a high-wrap frame that mimicked the natural orbitals of the eye, fitting the face like a force field. The glasses brought High-Definition Optics (HDO®) into a dual-lens format without losing the speed, aggression, and clarity of a shield. Radical in form, its creation was even more otherworldly: the first 3D-printed eyewear, designed entirely on a computer and guided by the ethos, “Do what others are afraid to do. Do what others can’t do.” When it dropped, Eye Jacket broke the timeline and ignited an ecosystem. Straight Jacket followed, sharper and edgier. Then came Trenchcoat, bolder and oversized; Topcoat, a sleeker cat-eyed silhouette; and Racing Jacket, built with technical upgrades for elite competition. Already a performance icon, we broke into culture, rising from underground phenomenon to mainstream statement.


●      1996, METALLURGY: In a world where eyewear metal was bent, stamped, and safe, we broke the rules, then broke the mold. This was X Metal: the first sculpted metal frame, forged from titanium in a violent process, closer to space manufacturing than traditional eyewear. Compound curves, geometric precision, and impossible forms took shape through molten chaos and were hand-finished like future relics. Each frame was built from 27 precision components, assembled into a full X Metal chassis. The first artifact, Romeo, was named after a Cuban cigar. Then came Juliet, Penny, and Mars, each a chapter in our design rebellion. X Metal went orbital, worn by athletes, icons, and outsiders. Decades later, its cult status lives on, revered as a treasure and a symbol of when industrial science and visionary design collided.


●      1998, SHOE ONE: Terraforming for the human foot, Shoe One embodied our codex: design what doesn’t exist, build what no one else dares, challenge the ordinary, and always operate at the speed of tomorrow. The radical footwear program wasn’t fully understood in its time, but in many ways, it stands as the purest expression of our design DNA. Eventually, Shoe One was inducted into the San Francisco Museum of Modern Art—not as footwear, but as industrial art, placed alongside icons of architecture and machines that reshaped the modern age.

What began as an outlier became a foundation, its code embedded in the blueprint of future design.


●      2000, OVER THE TOP: Unveiled at the Sydney Olympics, Over The Top disrupted the category. Bending reality with a design that wrapped over the head, not around it, the iconic glasses were an experimental and expressive chapter from Oakley, setting the tone for future innovation. 


●      2007, RADAR® & FLAK JACKET®: Always forward-thinking, we pushed minimalism to the extreme with two releases. Radar featured advanced coatings to repel sweat, water and dust, and Flak Jacket introduced the dual-lens design. Both became timeless best-sellers and set a new benchmark for sports performance eyewear. 


●      2012, SWITCHLOCK™: Listening to the needs of athletes, we introduced Switchlock™ Technology, making adaptability instant. Engineered for split-second decisions and built for high-speed conditions, lenses could be swapped at any time. No tools, no delay — just precision innovation that outpaced the elements.


●      2014, PRIZM™ LENS TECHNOLOGY: Prizm™ was a discovery, not an invention, that we debuted as a revolution in vision science. It changed the game, leveraging specific colours to enhance contrast and amplify details across every environment from the trail to the diamond. Engineered to enhance contrast and detail, it became an elite standard across snow, sport, and everyday use, changing how athletes perceive performance.


●      2021, OAKLEY KATO & PHYSIOMORPHIC LENS TECHNOLOGY: With Kato’s mask-like form, we blurred the line between eyewear and equipment for limitless possibility. An optical exoskeleton, PhysioMorphic Lens Technology offered structural performance, optimal clarity and surreal aesthetics, winning global design awards and athlete loyalty across the globe.


●      2023, FUTURE GENESIS & THE NEXT ERA: Looking to the future of what’s next for our real-world journey, we launched Future Genesis. Collaborations with Meta, Jaylen Brown, and Travis Scott signaled the next evolution of sport, culture, and technology.


●      2025, OAKLEY META PERFORMANCE AI GLASSES & AXIOM SPACE VISOR COLLABORATION: With augmented ambition, we entered a new era for Oakley. We partnered with Meta, combining our signature design DNA with cutting edge technology to release performance AI glasses. Oakley Meta HSTN and Oakley Meta Vanguard come with integrated AI, camera, and voice command. But we didn’t stop there. We pushed past the planet’s boundaries, partnering with Axiom Space and Prada for a history-making collaboration, engineering optical visors for NASA’s Artemis III lunar mission, set to leave Earth in 2027.  


●      2025, OAKLEY x TRAVIS SCOTT: We named artist and visionary Travis Scott as Chief Visionary to reimagine the brand’s creative future and drop a custom eyewear capsule, fusing surrealism, desert grit, and sci-fi flair.



BY ATHLETES FOR ATHLETES  Since the early days of Oakley’s BMX R&D division, then called Factory Pilot, the world’s best athletes have been co-architects of a brand built to push the boundaries and without limits. Together, we pushed design, innovation, sport culture, and human achievement to the outer limits of what’s possible. We now work with thousands of Professionals to development athletes across multiple sport disciplines, from BMX and cycling roots into eSports, NFL, flag football, basketball, surfing, golf, and many more. Team Oakley continues to redefine human potential, on and off the field. 


FUTURE GENESIS As we chart our course to 2075, we continue to ignite a legacy grounded in our unmistakable DNA. Looking to the future, we are pushing the boundaries of the brand, transcending technology and culture. A promise to bend at the limits of creativity with optimism for a better tomorrow, while redrawing a new horizon forged from echoes of the past. 


This is to the next 50 years, rewired, reloaded, and always reimagined.


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MINI x Art will be a vibrant collaboration between iconic cars and Qatari artists, transforming MINIs into live canvases

MINI x Art, presented by Alfardan Automobiles, the official importer of BMW Group vehicles in Qatar brought together iconic automotive design with Qatar’s vibrant art and culture scene. Three innovative Qatari artists transformed MINI cars into lives canvases, using their own individual creative style. With three very different approaches to visual arts, Muna Al-Bader, Abdulaziz Yousef, and Mubarak Al-Malik reflected MINI’s spirit of individuality, imagination and self-expression during this special event.


The event that ran from 24-25 October at Mina District, Doha Corniche, highlighted Alfardan Automobiles’ commitment to supporting local talent and cultural dialogue through Qatar’s art and creative community, while celebrating an icon, MINI. Public Day, which was open on Friday 24 October, gave all visitors the opportunity to see the artists at work, transforming MINIs into moving masterpieces, combining British heritage with Qatari creativity.


The three artists brought their original perspectives and styles to the cars they painted in the presence of Qatar’s art lovers.


Muna Al-Bader: Muna is renowned for her creative use of the colour blue in her lyrical works, focusing on people and traditional music in a contemporary context.


Abdulaziz Yousef: Abdulaziz’s bold, colourful public space works and installations celebrate Qatari life and explore memory and transformation.


Mubarak Al-Malik: Mubarak’s street art combines Qatari heritage with a modernity, using the batoola face covering as a tribute to his cultural roots.


By collaborating with these talented artists, MINI is continuing its commitment to supporting local talent and connecting with Qatar’s creative community. The themes of fun, color and exploration that are part of the MINI DNA and were reflected in this special event.



Additionally, MINI Qatar Club Day took place on Saturday 25 October with an exclusive MINI parade providing a showcase of new models. The event provided MINI Club members with the opportunity to come together in celebration of MINI’s 66 years of design innovation and individuality.


Ayman Berjawi, General Manager of Alfardan Automobiles, said: “For 66 years, MINI cars have given people joy over the world and Qatar is no exception. Alfardan Automobiles is delighted to organize MINI x Art, which brought together the creativity and spirit of MINI cars with three talented Qatari artists. We are happy about the wonderful celebration of art, culture, heritage and innovation with the automotive and art worlds coming together for a truly original and inspiring event.”



Fragrance World, one of the UAE’s most established perfume houses with over three decades of craftsmanship and innovation, is set to participate at Beautyworld Middle East 2025, the region’s largest international trade fair for beauty and fragrance. The brand’s presence at the exhibition underscores its continued growth, global influence and commitment to celebrating the art of perfumery on an international stage.


Established in 1988, Fragrance World began as a perfume trading house and has since evolved into one of the leading perfume manufacturers in the region. With a state-of-the-art production facility in Ajman, the brand produces over 75 million units annually and exports to more than 145 countries. Over the years, Fragrance World has built a reputation for originality, quality, creativity

and values that have positioned it as a leading name in affordable luxury fragrances industry.


“Fragrance World was built on a simple vision of making exceptional fragrances accessible to everyone while upholding the highest standards of quality and craftsmanship. Beautyworld has always been an esssential platform for us to showcase our innovation and connect with our global partners. This year, we’re proud to present creations that embody both our heritage and our constant pursuit of new olfactory experiences.” Says Poland Moosa Haji, Founder of Fragrance World.

Collaborating with some of the world’s most renowned perfumers such as Jordi Fernández, Shinichiro Oba, Jean-Christophe Hérault and Pascal Gaurin, the brand continues to push creative boundaries and deliver distinctive scents that balance heritage and innovation. It also works closely with leading global oil suppliers such as IFF, Givaudan, CPL Aromas, MANE and Robertet, ensuring that every perfume reflects exquisite craftsmanship.


Fragrance World’s luxury sub-brand, French Avenue has also experienced exceptional growth across the Middle East, Europe and the United States, further strengthening the group’s international footprint. Visitors to Beautyworld Middle East 2025 in Dubai can look forward to discovering some of the brand’s latest creations, including Nabatieh, inspired by the ancient trade routes of Petra, Nectaré Extradose, a bold, honey infused perfume encased in gold, Prune Hypnos, a deep plum and amber blend.


As Fragrance World continues to expand its global presence, it invites fragrance enthusiasts to explore its full collection and experience its legacy through its official platform www.ShopFragranceWorld.com.


© 2025 DUNES


Dunes Magazine is the Middle East’s luxury lifestyle magazine, featuring the latest in fashion, lifestyle, health & fitness, watches & jewelry, beauty, travel & hospitality, and exclusive interviews. A proud supplement of Maqina, it delivers premium editorial content and insights for the region’s luxury enthusiasts.

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